Star Wars: The Force Awakens
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Star Wars: Episode VII – The Force Awakens” is the film that J.J. Abrams was put on Earth to make, as evidenced by the “Star Wars” echoes in his hit series “Lost,” and the way he kept trying to turn “Star Trek” into “Star Wars.” These tendencies could seem cutesy or irritating elsewhere, but they make sense in an according-to-Hoyle “Star Wars” movie. This new one, set 30 years after the events of “Return of the Jedi,” is funny, touching, and surprisingly light-footed. It boasts a lot of familiar elements, including Skywalker family mythology and another Death Star-type weapon, as well as self-aware lines about how things work in this series. The film ultimately runs up against the limitations of its own nature: like the James Bond films, the “Star Wars” movies are pretty much obligated to revisit certain elements, to the point where they might feel played out even if they hadn’t been raided by other films, TV shows and books (including Harry Potter). But it’s still an exhilarating ride, filled with archetypal characters with plausible psychologies, melodramatic confrontations fueled by soaring emotions, and performances that can be described as good, period, rather than “good, for ‘Star Wars.'”
And it’s a treat to see beloved older characters placed beside new ones in situations that respect Lucas’ myth-making but correct his flaws as a storyteller, including the default whiteness of his casts. Not only have Abrams and his co-writers, Lawrence Kasdan and Michael Arndt, centered the story on a young woman and a man of color (played respectively by Daisy Ridley and John Boyega), they’ve made them so compelling and quirky that the film never seems to be putting an up-to-date wrapping on moldy clichés. Like all of the new characters, they seem to live and breathe. When they earn the respect of Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) by improvising a solution to a technical problem, or grab a lightsaber and start swinging, the result is not merely a crowd-pleasing display of heroics; it’s an affirmation that a good movie with a good heart can serve as everyone’s mirror.
Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers. Star Wars: The Force Awakens gives new life to a franchise of hope, resilience, courage and family that’s been missing from theatres for far too long.